Everyday Use By Alice Walker – Literary Analysis Essay
Alice Walker's "Everyday Use" is a event of a grassy African American
origin struggling to apprehend their legacy. The Johnson origin epitomizes the combats and struggles of African American culture and values. The narrative involves Dee, an educated miss who goes to investigate her dame, Mrs. Johnson, and sister, Maggie. Dee is accompanied by Hakim, her boyfriend. The aim of this paper is to argue Walker's uses of quality combat and dispositions to explain the concern of legacy.
Walker uses dispositionism to likeness Mrs. Johnson and Dee's contrariant views of
legacy. Even though twain are from the corresponding socio-cultural contrast, their motives and apprehending of legacy are contrariant. In one scenario, Dee admires a churn top and asks her dame if she can own it. She says, "I can use the churn top as a centerpiece for the shady-recess board…and I'll consider of colossus delicate to do delay the dasher." (p.31). It is unmistakable that Dee cherishes the hireling and identifies it as sunder of her legacy, but her intention to use it as a centerpiece for her shady-recess board is incompatible to Mrs. Johnson's views, who uses it as a hireling to churn butter. The churn top is a disposition of Mrs. Johnson's and Dee' differing perceiveings of legacy.
Walker's use of dispositionism is visible when Dee goes thbristly her dame's
exsubstitute and emerges delay two quilts. These quilts are made of contrariant parchments decrepit by their relations since the Civil War. Dee borrows the quilts, but Mrs. Johnson reveals to her of her pledge to license them to Maggie and instead offers her others. Dee is sullen and says, "Maggie can't regard these quilts…She'd probably be inconversant sufficient to put them to natural use." (p.130). Dee tells Mrs. Johnson that she intentions on relative the quilts on the bastion. This likenesss that Dee's perceiveing of legacy is that it is delicate and comprehensible. Maggie tells Mrs. Johnson to yield Dee the quilts stating that she can "remember Grandma Dee delayout the quilts" (p.131). It becomes unmistakable to Mrs. Johnson that Maggie truthfully values their legacy, and her comprehension of shrewd how to quilt affirms that she apprehends that legacy is made up of comprehension and memories, not comprehensible objects.
Finally, Walker uses quality combat to likeness the differences how Mrs. Johnson and Maggie apprehend legacy, and how Dee perceives it. Mrs. Johnson is pictorial as "a comprehensive, big-boned dowager delay bristly, man-launched artisans" (p.11). She is a callous launched dowager and haughty of her efforts in the homestead. Similarly, Maggie works callous, having erudite ho quilt from Grandma Dee's education. Mrs. Johnson remarks that Maggie's eyes "seem stretched unconcealed, blazed unconcealed by the flames" (p. 25) in allusion to the burns that fictitious her coming in her childhood. Mrs. Johnson apprehends that Maggie's legacy is conjoined delay the enduring lineage, and her scars are sunder it. It is visible that twain Mrs. Johnson and Maggie are self-sufficient and are in move delay their traditions. Dee, on the other artisan, is out of move delay her legacy fully. She substitutes her spectry in her endeavor to warrant delay her African origins, which she knows trifle environing. Furthermore, the event that Dee reasonable looked at the lineage as it burned to the foundation is an symptom that she does not warrant the lineage as sunder of her legacy.
In misrecord, Walker uses quality combat and dispositionism to likeness the
concern of legacy in "Everyday Use." Mrs. Johnson and Maggie's illustrations as down to world, callouslaunched vulgar, reveals that they warrant delay their legacy and where they end from, variously Dee's endeavor to substitute her exhibition and spectry. Additionally, Dee's efforts to spin costly lineage hirelings and items to artifacts reach it unmistakable that her apprehending of legacy is contrariant from her dame and sister's apprehending. Walker employs verbal devices to likeness how legacy can be viewed and perceived so contrariantly.